“In the office space market today, demand is changing”, explains Sabine Moscato of Naud & Poux Architects. “The need for services and meeting spaces is on the rise. There are practically no more single-person businesses in these buildings. Office catering standards are also evolving. Coffee breaks are being used as opportunities for small informal get-togethers, so dining areas and lounges are taking on new functions. All these trends are exerting a significant impact on how these spaces need to be designed.”
Flex office spaces and acoustics
Flexibility is the new goal across the board: in buildings, with furniture and for individual people. So, the question becomes: how can certain long-term installations, including of course noise handling solutions, be designed, while enabling modular use of spaces, preserving potential for change and optimising financial return? How can users’ wellbeing and acoustic comfort be ensured, and at the same time how can they instantly modify or change their workspaces to meet their needs? These questions are of course driven by current contexts, where working in project mode and hybrid meetings (in which remote and face-to-face modes are mixed in the same place) are predominant in organisations and the ways people work. Furthermore, people want the places they work in to be attractive: “The challenge today is to get employees back in their offices”, points out architect Leila Dunning, “but they also need to build different relationships with their customers, impress potential talents, etc.” Beyond performance, the decorative appeal of the solutions installed, the way in which they define the identity of the premises and embody a specific mindset, are also hugely important. Let’s look more closely at three strategies to manage noise that are of course flexible.
Partially concealing rather than covering
In Boulogne-Billancourt south-west of Paris, Naud & Poux Architects decided to remove all closed ceilings when renovating the Anthos building and to handle noise differently and not install clusters of panels. “We wanted to use Stereo baffles”, explains Sabine Moscato, the project leader. “With this product we were able to provide a continuous solution, while hiding the acoustic barriers, which would be used to create closed offices, especially since the occupants here can only rent half units.” The baffles are placed every 45 centimetres in positions so that possible internal partitions to be installed later would line up with solid features along the facades such as columns and posts, etc.
“We then selected a mix of three tones of grey for the baffles. The units are quite large, and the varying tones lend the volume a sense of scale that feels more comfortable.” And as the architect pointed out, if the users of the units wanted different colours, they could also change the covers of the baffles or remove some of them.
In London, architect Leila Dunning reorganised publicity group MullenLowe’s reception area into a multifunctional space with a canteen, café, meeting and events areas, and group and individual workspaces, while combining hospitality and new office features. She also had to make the volume dramatically impactful. “We were looking for a light, effective solution with regard to the acoustics, which could create a sense of unity across the different areas, whose installation system would itself provide flexibility,” explains the architect. “We went on site to work out how the solution would look from different viewpoints and how the clusters needed to be positioned. But that wasn’t all. This was to be a reception area, a place for events and where people meet, so we had to make it impactful too, without overdoing things. Abso Cubes were the perfect solution: they have a simple shape, but when suspended from one corner, they enabled us to build an interior landscape of shimmering greys. The contrast between the formal architecture of the building and the organic arrangement of cubes creates a fascinating decorative feature. It’s a way of lending energy and vitality to the volume, while providing the necessary comfort and privacy for informal meetings, appointments and discussions, and so on.”
Superflexibility with curtains and furniture
The concept of flexible office spaces entails being able to modify or redesign them on the fly to meet the needs, the number of people and the activities in place at any one time. Being able to contribute to privacy from being overlooked and overheard, and acoustic comfort are the most important factors, especially now hybrid ways of working have made video communications and meetings very common. If furniture and screens are mobile, why not the sound-absorbing surfaces too? This is why the architects of Stiff + Trevillion working on Two Bessborough Street, decided to use double-sided curtains to enable users to divide up the meeting or group working space into several sub-areas, by simply closing and opening them.
In this application, the curtains are hung on rails mounted on the ceiling, but a similar solution can be achieved using independent units. With Kora acoustic screens, sound-absorbing panels become part of the furniture, while serving a similar purpose: controlling what is visible and what is not and creating close-quarter acoustic comfort. These form a flexible partitioning system, being easy to move around. The screens can be fitted with legs, feet or casters and are available in different formats, sizes and colours. They can be installed on tables or as partitions between work areas, or to close off a small break area. They can be arranged in many different ways, and offer a wide choice of colour. All these solutions can be combined in limitless ways to support mobility, comfort and ways of working.
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